Along the same lines as their Live in Pompeii show. It'll reacquaint those who have been away from Pink Floyd for some time and will undoubtedly show a new side of the band many haven't seen. If you haven't listened to Floyd in a while, or haven't ever listen to them this is worth the time. If this wasn't enough, they spend the next fifteen minutes confusing young Japanese people with awe inspiring renditions of One of These Days and Careful With That Axe Eugene. Even with this added mobility the album comes full circle at almost exactly how long the studio version is.

Expect a very different version of T he Great Gig In The Sky that will still kick your ass.

Incredible! Starts off with a seemingly impromptu Dark Side full of improves and flourishes. The Great Gig on the Moon - Live in Japan (1972) No clue as if to someone will take it down, but its there for the taking. If Mike Patton did a cover of fucking Skrewdriver's greatest hits, I'll buy that. Bungle vibe towards it, which is fucking awesome, let me tell you. Siouxie Sioux did a really cool cover of it too, her voice fits right in.įaith No More's cover has that sinister Mr. Sorry about that weird bit in the first few seconds, who knows why its there. It's a real rare gem in glam rock, its so perfectly balanced and flat out catchy. And weirdly enough, this band is American. Russell Mael's falsetto voice is amazing, if he doesn't have his balls in a vice grip, I'll be damned. Really, Sparks is a bit of a hard band to nail down, some albums are glam, some are this weird psuedo-new wave sort of deal, and others are simply mish-moshed.

'This Town Ain't Big Enough for the Both of Us' is a weird, glam-fused sort of tune, and is the first song of one of the coolest albums ever, Kimono My House. I hope you notice the album picks up track 4 in track 10. Album art work was done by some graffiti artist he knows Grey. Track six features guitar and vocals by John Frusciante while Omar actually gets into some vocals on 2 7 8 4. Tons of rhythm, tons of great guitar, really well put together over all. As always a lot of Spanish influence, lots of Spanish lyrics. He also did some stuff under the group name The Omar Rodriguez Lopez Quintet. Its the fourth album released in what Omar calls the 'Amsterdam Series' which is just the name he gave the series of records he made while living in Amsterdam.

This album 'Calibration (Is Pushing Luck and Key Too Far)' is fantastic. He does a lot of solo work, five albums in total with some collaboration on other projects on the side. but here is the musical arranger, producer, writer, and one part of what he calls the two part soul of the Mars Volta. I would bet that 7layer is a little surprised that no Mars Volta has been posted yet.

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